The Communards
The Communards formed in 1985 after singer Jimmy Somerville left his earlier band Bronski Beat to team up with classically-trained musician Richard Coles. Though mainly a pianist, Coles played a number of instruments and had been seen previously performing the clarinet solos on the Bronski Beat hit "It Ain't Necessarily So". They were joined by bass player Dave Renwick who had also played with Bronski Beat. Somerville was well-known for his falsetto singing style
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The Communards
The Communards formed in 1985 after singer Jimmy Somerville left his earlier band Bronski Beat to team up with classically-trained musician Richard Coles. Though mainly a pianist, Coles played a number of instruments and had been seen previously performing the clarinet solos on the Bronski Beat hit "It Ain't Necessarily So". They were joined by bass player Dave Renwick who had also played with Bronski Beat. Somerville was well-known for his falsetto singing style
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Spring Is In The Air
This song is for “Spring” I created last year, I would describe this song as an upbeat happy dance track, that makes you feel good. hope you like🌷🌼more
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THERE’S SO MANY PEOPLE
This song is about now, modern life, it’s about justice, and freedom, and equality. nothing has really changed in our modern world, we are all going backward. People should not have to suffer in this day and age, they should have basic living rights, to live in their own country, to have a home, hot and cold water, fair pay, good housing, people should be able to support their selves and their families. Build a good community. For themselves, to live of their land and to just be civilised human beings. Who want to better themselves, to evolve to make a better world for all. more
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The 3rd String
Wunderfish’s “The 3rd String” is a folk-inspired instrumental electronica track that was composed around a short sample the artist discovered and recorded on a worn cassette tape during a journey through Japan. The sample features a traditional three-stringed shamisen, and is juxtaposed against modern dissonant synthesizers and robotic drum machines - most notably a Japanese Roland TR-909. The track begins with the lo-fi Japanese folk-sample behind a simple break rhythm and steadily progresses into a “traditional” bassline and four-on-the-floor beat. This movement represents a humble journey from a lush, mist-filled forest to a sprawling, chaotic urban concrete jungle. This accompanying animated music video presents this journey: https://youtu.be/MYisNgqwoasmore
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